But Will it Fly?

Worked on a new (to me) technique of trapping fabric scraps beneath a veneer of sheer tulle for a corner block on one of my Project Linus donation quilts called "Tweet Street". My only (?) mistake, was in my impatience to “get ‘er done”. Had I taken a bit more time with it, the tulle would have been aligned to the edges of the block so that it would  be secured within the eventual quarter inch seam allowance, making for a smoother end presentation. As it was, though, I ended up securing the tulle's misplaced edges with random free motion stitches. The scraps trapped beneath the tulle in this block depict a bird’s nest surrounding the nestlings-to-be, which were drawn directly onto the block using a fabric pen and fabric crayons.  This worked well for my fledgling attempt. Yes. I think this will fly.

Here it is as the corner of the first round border of the quilt still in progress.

Digital Design ... Free Style

While I had the Fresh Paint program as a preload on my PC, there are likely other programs which can be found online that do some of the same things. In fact, if you have a PC, there is a program with a free version that does all of this and more. I believe it is called Sketchpad, and the version I liked was 4.1. That one does take a little exploring to figure out, but for me, that is true of any of them.  So, if you want to do some practicing without pen and ink, try digital doodling, and see what comes of it.

     Here we see the grand enjoying a self-rendered bedtime story, with the quilt and pillow which came of the design doodling pictured above. Looks like a happy ending, to me.

Chain Piecing

    Chain Piecing! 

If you already chain piece, you already know,
Piecing in chains is the way to go.
Just line up those pieces that need to be seamed,
Stitch them and watch them amass in a stream.

In no time at all, your units are flowing
   in colorful rope banners, worthy of showing. 
And even at that, the newly seamed stash
      can run through the line in another chain dash.
I'm telling you now, if you do not chain yet,
      try it. You'll like it. I nearly would bet! 

As pieces come flying all strung in a row, their colors parading ... Oh! What a show!

And even chain pressing , before units you sever,
makes pressing easy and speedy as ever!

What's more, getting done with a project on task!
Your deadline is met; what more could you ask?

I would write an ode, but how silly a thing? So, instead: of chain piecing, I joyfully sing!

Special Delivery for a Special Delivery

Pulled these for a changing pad tote for my
sister's eldest's son's wife ( and her expected
daughter). Went girly paisley and polka dots
with s metallic highlighted floral and a deep
red tone on tone.
Chose a gold braided clasp for a little class.

Remembered to add the little "signature" label this time. Sewn into the binding at the bottom inside right. Since it is a loop, it can also serve as a hanging loop for air drying the pad.

To assist mom in retrieval of pad from church nursery, or other place where multiple diaper bags are briefly gathered, I  added her family name to the outside, but to be hidden when folded. 

I went with the last name since the colors of this were chosen for the mom, and this is her first child ( a girl) , but who knows if they will have more later on? My daughter's changing pad had served three kiddos in fairly short order. 

Finished, folded and ready for shipping.

This was the first (and, thus far, only) handmade item I've trusted to the postal service. Happily, though, it made the trip just fine, and was well received.

Bloomin' Baskets

The daughter of a dear friend had become bride elect of a fine fellow, and in looking over the couple's registries their love for color became evident. After selecting a brightly colored sauce dish from among their picks, I kept thinking how nice it would be to present them with a colorful little table topper, as well. When I came across Edyta Sitar's Bloomin' Baskets in the March/April 2013 edition of Quiltmaker magazine on page 38, I knew this was the one. The same pattern sans applique is on her website as a free download called "Candy Dish". And I just NOW found this tutorial on the whole project! Click here and watch Edyta go through the table topper project step by step.

Some things about this project were different from any I had done before. It was important that I read the instructions. For instance, backing and binding (and quilting, for that matter) were all done ahead of applying the applique. Also, this was my first time to do semi-raw edge applique. I say "semi" because I had affixed the pieces with Heat Bond Lite, so they were fairly stable, and may even make it through the wash once without having that frayed edges look.

This all went together surprisingly quickly, and relatively easily. One of the hardest things was choosing fabrics from my stash to use for the 2.5 inch squares that make up the baskets' bodies. Some pre-cut jelly rolls and a few charms cut to size came to the rescue.  

If you are interested in making this, but waver due to concerns of difficulty...I say go for it. Watch the run through by the designer herself and enjoy this colorful, fun, and domestic machine throat friendly project. 

Epilogue: It was well-received by the bride elect and her groom to be. 

Choo Choo Choosing by Auditioning Fabrics

There comes a time in just about all of my projects when "the best laid plans" get derailed by design, or otherwise go off track. Sometimes it is because my original vision for an aspect of the project just doesn't work. Sometimes it may be that the stash on hand doesn't quite stretch into enough yardage...occasionally by inches...to complete the job.This can be where an inch is as good as a mile. Anyway, when I am faced with those challenges, it's an excellent time to set up the stage for some old fashioned impromptu auditioning.

The first picture shows my originally planned engine base. Second photo auditioned, but seemed too dark. As soon as I saw the yellow, I knew we would soon be full speed ahead!

It has been a while since this project was on docket, so I actually don't remember how it was that I had to audition strips for the border, as well. I think it happened for one of the following reasons: 

• I did not want an all yellow border since the yellow was soooo bright.
• Maybe my yellow stash was depleted when it became the chosen fabric in the above featured audition. (?)
• Or...maybe ...and this is quite likely, I wanted more blue in the quilt. This was for my local grandson's 2nd birthday. Also, I really, really liked the blue (engine cab) fabric, and wanted to use what I had of it in this quilt.
  

 Yes, I see that I "say" I ran out of yellow, but I still think it may have been that third reason...wanting to use my (already strip cut) blue. 

Oh! A bonus  was using the same applique for his birthday tee! That dusky blue became the smoke puffs on the white tee. 

And these days the boy, now 3 years old, is using his quilt for cover. (He received it on his 2nd birthday, but wasn't into bed covers, yet, then.)

Do you find yourself auditioning fabrics "after the fact" of having chosen project colors, etc.?

Block Swap the Hard Way

This was a block swap of another kind than the ones where quilters make blocks to exchange. That would be fun. No. No. This was a poor-planning-on-my-part block swap. 

In photo #1 you see the block layout I had initially chosen for my "Roman Road" sampler quilt. I knew I did not much like the gold and green block, but at that point, the thought of making another block just wearied me. So, I forged ahead and pieced the whole top with the "iffy" block in place. 

Then...and not until then...I saw how that one block threw the whole quilt off balance due to the "weight" of the gold fabric in it, since that was the same fabric in the focal center block, as well as the outer border pieces. 

I just could not let it go. So much work had gone into the quilt, and it seemed I should be able to like it at the end of the process. So, the weeks rocked on, and finally I decided to work up a replacement block. First candidate was the disappearing nine patch blue in picture 2. Didn't like it. Had expected to. Was really miffed and somewhat discouraged. 

Days passed. Nights, too. What to do...what to do. I liked the "economy block", but could not figure out how to make it the nine and a half unfinished size I needed, and wanted it to finish with the center square on point. Finally, I just drew a design and foundation pieced what became the replacement block (photo #3). 

This (replacing a block that has already been pieced and sashed into a quilt top) is not recommended. Not at all. I was fortunate the piece went in fairly smoothly. Don't get in a rush when placing your blocks. The decisions you make then, need to be ones with which you can live (and sleep.)

One would think after all this that I would have sandwiched and finished the quilt by now. Well, it is sandwiched and awaiting my nerve to build up to quilting. It will be the largest quilt I've quilted on my small-throat machine. I'll let you know.